DER BERG

DER BERG – The Mountain
A project for the Festival of the Region 2015 by Clemens Bauder, Felix Ganzer, Ella Raidel

During the 2015 Festival of Regions, The Mountain project will go on an expedition on the Traunsee lasting several days with a floating object shaped like a mountain. Ebensee will serve as the starting- and finishing-point whence the expeditionary voyage around the lake commences, landing at various places on the shores or simply appearing there. It is a journey into the unknown for a courageous crew with a variety of characters who will be recruited. They are passengers, but also protagonists of a narrative or film-script who actively drive happenings on, for The Mountain will become the stage and platform for performances and happenings. Stories, sagas, sounds and drawings are the voyage’s products. At night the vehicle will change its appearance through light-interventions or simply through the moonlight and, insofar as a calm lake permits, The Mountain will allow itself to drift, to be spied from shore or visited by boot. It is a voyage into a real, but also imaginary world with a self-made vessel in a scenery that has been enveloped in sagas since time immemorial. The object’s making and its expedition serve as the vehicle for writing a new story as the basis for the film BERG.

Collaborating Artists: Richard Eigner (Sound), Billy Roisz (Sound), Sander Saarmets (Sound), Karin Peschka (Text), Jianan Qu (Performance), Sonia Borkowicz (Perfomance),Vilte Swarplyte (Performance) Georg Pinteritsch (Drawings), Victor Gaso (Cook)

Foto (night): Norbert Artner

Results of the collaboration were presented in an installation at OK Center for Contemporary Art/Tankstelle Dametzstrasse:

Fotos: Gregor Graf

Double Happiness

Double Happiness intersects the real and the fake through visual imagery

Upcoming Screenings

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Metaphorm

Ella Raidel _Metaphorm_2013_Kinmen Island, 金城海濱公園, Kinmen Island, Jincheng Beach Park

480cm (L) x 330cm (W) , Concrete

The work can be a shelter, pavilion or dwelling place. The visual lexicon of its form is derived from nature. It is a fantasia of spatial experience located at the site where the skies meet the sea. Whether from a seated or standing perspective, the vista of the outside world from within the shelter becomes a language of form that differentiates interiority from exteriority. Light moves between the two realms to accent the plight of nature and man.

作品是房子、屏蔽，也是人的居處及堡壘。從大自然轉換而來的形式語彙，象徵母體的誕生與屏障，同時也印證著不斷與自然搏鬥的歷史，結晶為文化的人類活動。一方面，與金門的戰地碉堡的人為環境對話，另一方面也映照著周遭利用岩洞築巢而居的鳥類，在海天一色的環境中轉換為奇幻的空間經驗。讓人從人或坐或臥的休憩，從窗口仰望屏蔽外的世界，區分出內與外的形式語言的換喻，光線在之間穿越，裝點出自然與人的處境。

Short Videoclip

The Making of Metaphorm

Landungsplatz Ebensee

Landing-Place Ebensee / Landungsplatz Ebensee 2004

The site of Landing Place in Ebensee carries a major historical significance that the salt mined in Hallstatt was shipped to here and further distributed over cities in Europe since centuries. To footnote such significance, a pier will be installed in shape similar to the docking area of the traditional salt boats.The pier is also a functional platform that creates a place and an occasion for gathering, relaxing, and sight-seeing. With its 10 meters length and no supporting column underneath, the pier produces an illusion of floating over the water.

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