{"id":2237,"date":"2021-10-23T06:20:27","date_gmt":"2021-10-23T06:20:27","guid":{"rendered":"http:\/\/ellaraidel.com\/?p=2237"},"modified":"2022-12-22T01:02:36","modified_gmt":"2022-12-22T01:02:36","slug":"interviews-with-filmmakers","status":"publish","type":"post","link":"https:\/\/ellaraidel.com\/?p=2237","title":{"rendered":"Conversations with Filmmakers"},"content":{"rendered":"\n

Von Br\u00fccken und verlorenen Verbindungen<\/strong>, Interview with der chinesischen Filmemacherin Zhu Shengze \u00fcber ihren Film \u201eA River Runs, Turns, Erases, Replaces\u201c, \u00fcber ihre Heimatstadt Wuhan und \u00fcber ihre Inspiration durch den italienischen Schriftsteller Italo Calvino.<\/p>\n\n\n\n

Viennale Interview, Ray Filmmagazin 10\/2021<\/a><\/p>\n\n\n\n

Das Gespenst des Kapitalismus<\/strong>, Interview mit dem aus Singapur stammenden K\u00fcnstlers Ho Rui An anl\u00e4sslich seiner Ausstellung \u201eThe Ends of a Long Boom\u201c in der Kunsthalle. Ein Gespr\u00e4ch \u00fcber k\u00fcnstlerische Recherche und Praxis, \u00fcber den Horrorfilm und \u00fcber Denkanst\u00f6\u00dfe durch einen Wechsel der historischen Perspektive.<\/p>\n\n\n\n

Ray Printausgabe 07 + 08\/2021<\/a><\/p>\n\n\n\n

Ho Rui An Kunsthalle Wien<\/a>Download <\/a><\/div>\n\n\n\n

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Hale County, This Morning, This Evening, Ramell Ross<\/strong><\/p>\n\n\n\n

A conv<\/a>ersation with RaMell Ross on his Oscar-nominated film “Hale County This Morning, This Evening” <\/a>[March 2021]<\/p>\n\n\n\n

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A conversation between Ute Meta Bauer and Trinh T. Minh-ha on ‘What about China?’ in Postcolonial Futures, Issue 20.2, A Journal of Transcultural Writings<\/a>, 2021<\/p>\n\n\n\n

What about China?<\/em><\/strong><\/p>\n\n\n\n

Trinh T. Minh-ha is Professor of Rhetoric and of Gender & Women\u2019s Studies at the University of California, Berkeley. Originally trained as a music composer, her oeuvre as an artist, filmmaker, composer, and postcolonial feminist theorist has charted the constellation of various discourses on gender, colonization, migration, and film poetics. Her latest filmic work-in-progress What About China? <\/em>(Part I of II, 2020\u201321), initiated and co-produced by NTU CCA Singapore and was part of the first large-scale solo exhibition of Trinh\u2019s work in Asia. <\/p>\n\n\n\n

Taking the notion of “harmony” in China as a site of creative manifestation, What About China?<\/em> focuses on Chinese culture and identity through its artistic and rural architectural practices, as well as through everyday village activities. In the foreseen demise of China\u2019s peasantry as a class, Trinh is asking again: what exactly is disappearing? Situated in the realm between ancient wisdom, avant-garde, experiment, and popular folk acumen, the film features a multiplicity of voices and narratives embedded in a rhythmic conversation between the still and the moving image. Trinh creates a work that is interrogative and reflexive by nature; one that exposes the naivety of cinematic technology and ideology that claims increasing unmediated access to reality.<\/p>\n\n\n\n

Ella_Raidel_Trinh_T_Minh_Ha_and_Ute_Meta<\/a>Download <\/a><\/div>\n\n\n\n

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Vom Lesen zum Erz\u00e4hlen<\/strong>, ein Interview mit Hou Hsiao-Hsien<\/p>\n\n\n\n

Das \u00d6sterreichische Filmmuseum widmet dem gro\u00dfen taiwanesischen Regisseur Hou Hsiao-Hsien eine Gesamtretrospektive.<\/p>\n\n\n\n

Ray Filmmagazin 06\/14<\/a><\/p>\n\n\n\n

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Reminiszenzen an das Kin<\/strong>o, ein Interview with Tsai Ming-Liang<\/p>\n\n\n\n

Die Wiener Festwochen widmen dem herausragenden taiwanesischen Filmemacher und K\u00fcnstler Tsai Ming-Liang eine Personale.<\/p>\n\n\n\n

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Ray Filmmagazin 05\/2014<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Von Br\u00fccken und verlorenen Verbindungen, Interview with der chinesischen Filmemacherin Zhu Shengze \u00fcber ihren Film \u201eA River Runs, Turns, Erases, Replaces\u201c, \u00fcber ihre Heimatstadt Wuhan und \u00fcber ihre Inspiration durch den italienischen Schriftsteller Italo Calvino. Viennale Interview, Ray Filmmagazin 10\/2021 Das Gespenst des Kapitalismus, Interview mit dem aus Singapur stammenden K\u00fcnstlers Ho Rui An anl\u00e4sslich…<\/p>\n","protected":false},"author":3,"featured_media":2240,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[17],"tags":[],"jetpack_featured_media_url":"https:\/\/ellaraidel.com\/wp-content\/uploads\/ray_Cover_0721-768x1012-1.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4JnJ4-A5","_links":{"self":[{"href":"https:\/\/ellaraidel.com\/index.php?rest_route=\/wp\/v2\/posts\/2237"}],"collection":[{"href":"https:\/\/ellaraidel.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ellaraidel.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ellaraidel.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ellaraidel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2237"}],"version-history":[{"count":17,"href":"https:\/\/ellaraidel.com\/index.php?rest_route=\/wp\/v2\/posts\/2237\/revisions"}],"predecessor-version":[{"id":2407,"href":"https:\/\/ellaraidel.com\/index.php?rest_route=\/wp\/v2\/posts\/2237\/revisions\/2407"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ellaraidel.com\/index.php?rest_route=\/wp\/v2\/media\/2240"}],"wp:attachment":[{"href":"https:\/\/ellaraidel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2237"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ellaraidel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2237"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ellaraidel.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}